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Rock'n'Roll Sadness

by Palila

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €9.99 EUR  or more

     

  • Record/Vinyl + Digital Album

    The first full-length of Hamburg based band trio Palila. 90’s indie rock at its best.
    The outcome varies from walls of sound like the early Smashing Pumpkins, fuzzy guitars as in Dinosaur Jr and unexpected melodic coolness of Built to Spill.

    Vinyl comes in gatefold-sleeve incl. senseless insert and download-code
    Limited to 300 copies, first 100 contain a LP-sized silkscreen print of the cover art.

    Includes unlimited streaming of Rock'n'Roll Sadness via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 5 days

      €19 EUR or more 

     

  • Compact Disc (CD) + Digital Album

    The first full-length of Hamburg based band trio Palila. 90’s indie rock at its best.
    The outcome varies from walls of sound like the early Smashing Pumpkins, fuzzy guitars as in Dinosaur Jr and unexpected melodic coolness of Built to Spill.

    Includes unlimited streaming of Rock'n'Roll Sadness via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      €12 EUR or more 

     

  • T-Shirt/Apparel

    Our beautiful T-Shirts with the lovely guereza (photography: Peter Schepsmeier) was designed by Karl Geweke and PALiLA.
    All our shirts are fairtraded organic cotton and high quality waterbased screen printed by Homesick-Merch in Münster, Germany.
    You can pick this The shirts come in sizes XXL, XL, L, M, S, or XS.
    ships out within 3 days
    edition of 47 

      €22 EUR or more 

     

  • Bag

    Our tote bags with the lovely guereza (photography: Peter Schepsmeier) were designed by Karl Geweke and PALiLA.
    All our tote bags are fairtraded organic cotton and high quality waterbased screen printed by Homesick-Merch in Münster, Germany.
    ships out within 3 days
    edition of 50 

      €10 EUR or more 

     

  • Full Digital Discography

    Get all 17 Palila releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Long Run, Down at Loser Lane, Mind My Mind, Circles, Try To Fail Again, Restless, Woke Up In Your Head, Sucking Ink, and 9 more. , and , .

    Purchasable with gift card

      €42.39 EUR (20% OFF)

     

1.
A home to bury dreams Or should I say You better fail? All I saw was paranoia You will not know, you will not see Until you make all failures great You turn them up ’til they explode I know the New York family plans Just by heart Let me start Until now a feather felt heavier than a motortruck Now the ball is in your court To bury guns or sound the mort Warhol wakes, next to my bed Will he bring or steal my time? I’m in love with his cans They say I’m a problem Big Apple fades Into the background There you go Straight to your songs With them I fall Stay lying down
2.
Our car broke down some eighty days ago We took what we could carry on our backs in obscure glow Nighthawks flew above our heads and We were moving on with dirty feet on concrete ground so free Into the sea we’ll wade White foam tingling on our shins Will we swim or will we drown? Salt scum, skinny legs No sun burning on our backs Will we swim or will we drown? The circus left our hometown long ago It was the time when we left too and begged dead wood to grow Seasons came and went and came again Next Monday we might reach the coast of memories and then Into the sea we’ll wade White foam tingling on our thighs Will we swim or will we drown? Salt scum, skinny legs Dark waves splashing in our eyes Will we swim or will we drown? Black water coming, yellow rubber ring and oxygen for King Scruple and Queen Grief, my friend So come along – we carry on
3.
Brother, we’ve been out here so long Talking about what’s to come Never knew ourselves Sister, you know I am so tired Trying to stand uptight Leave the house to get out I’m so tired, far too tired for standing upright I’ve been wondering far too long what’s to come Brother we’ve been out here so long Talking about what’s to come Never knew ourselves I just can’t get up I need to get up now
4.
Nemesis 03:30
Have your learned from hysteria I broke my leg in a funny way The teacher was laughing while the reverend just yelled Yeah the teacher was laughing The reverend just yelled I’m afraid of sweet ladybugs crawling over my body I will wait by the fireside And I’ll pretend to be alright The teacher was laughing while the reverend just yelled Yeah the teacher was laughing The reverend just yelled I’m afraid of sweet ladybugs crawling over my body Be aware of this when you ask me to help you save the world
5.
Sapphire 03:36
Give us a masterplan Say there’s a reason to believe Wake us at 4 a.m. Pay our debts with sapphire Taking control I am learning there’s more underneath Hit me and I’ll begin Give me a new example Wonder who you are? Solution A, solution B Scenarios C and D Connection X, connection Y Sapphire worlds collide
6.
Take Turns 03:46
Come on in, it’s already getting dark We’ve been out here for too long Ask your friends and family – anyone you choose No one’s gonna tell the truth Do we take turns before we fall apart? Take a break from all the madness round here Take a look up to the stars You might think of U.F.O.’s and of gods One might say we are lost Do we take turns before we fall apart? Some find a rabbit hole and hide all along Some are rattle snakes and hunt down their prey Me I’d rather be a cloud in the sky Raining down on you
7.
Rough 03:37
Going nowhere – left to try till I can't take no more and I haven't ever – been enough so this is the rough way – the way no one's going these days in life the weakest part and everyone should smile though you may decide to let it pass to watch it pass you by if only some of us could feel their heartbeats they wouldn't laugh at all the ones who can't breathe in factories, in banks and in office in their own bodies
8.
Rain Again 02:47
I’d like to step outside – tell them what is on my mind I guess I better stay inside my cloud You say it’s been a while, I know We know we’ve been too high, you said We miss you every single day Let’s play outside. Just for a while. Pretty soon it starts to rain again. It’s been raining forever now – we’ve been standing here before, today I better stay inside my head
9.
One Soul 02:19
Layin’ back to relax It is time for a cigarette Work is done Moon is on Where the angels play Clear night Stars shine bright Already been there before This ain’t about you Ain’t about me Ain’t no weak apology Time is running Time gets shorter There ain’t no hiding A never changing order You know it has gone before And it came back again So what’s all this longing for? There ain’t no plan One soul will show up soon One soul will you forget One soul will be breaking your heart One soul will be yourself Time is running Time gets shorter There ain’t no hiding Time to cross the border
10.
Fade in electric guitars Turn up the volume Bring on clamorous feedback Into the bright arcade And then we'll shed a tear and We’ll be walking on air No foot on the ground We'll be walking on air Until the song fades out, comrade It is a rock 'n' roll sadness that comes to us Forget national somethings Dive into the gloom And then we'll shed a tear and We’ll be walking on air No foot on the ground We'll be walking on air On clouds of frequencies It’s all fading out
11.
The cookie jar holds the love that you have missed It’s on a shelf that’s protected by a glowing lamp Next to the book of hate that you misinterpret Your jar is full of fear I do cling to my goods and personal stuff That I won’t part with easily I won’t blame you to cling to your madness Starting tomorrow we all go easy on the drinks Your door denies each visitor that you invite While you’re digging for a cookie to dip in your mug That’s filled with black coffee from yesterday When you were full of love No matter how it turned out wrong While being lost within yourself (little facts inherited – answers that have been received) It’s when you walk to get nowhere (money’s gone – paid all the fees) The speed of peace – aimlessly (little more did you expect)
12.
Hitchhiker 05:10
I saw your car pulling over You slowed down, stopped next to me Pouring rain, you opened the door Heard a song. I heard you sing. And I got in and you drove fast “What’s that sign”, I heard you ask Someone said “Let’s turn right here!” We spinned around and heard a laugh Just tell your brother to stay out of this Tell your sister, we’ll meet again Say hi to your friends, tell them I’m fine Say no more, let’s get a ride A yellow dog was sitting in the back, Wearing a worn out suit He was trying to make an effort We asked why he was in such a good mood He laughed loud, told us to turn around “What’s that sign?” I heard you ask The dog said “Let’s turn right here” I turned to you but you were gone

about

Was, wenn die Antwort auf all diesen Wahnsinn Indie-Rock ist? Auf all die Kriege im Kopf, in der Welt, in den Worten? Die Antwort auf die Liebe, die Angst, Freundschaft, Verlust, Endlichkeit, Unendlichkeit, Musik ohne Seele, Social Media, Kapitalismus, Egomanie, Mainstream, Freiheit, Konzentrationsstörungen, all die Sinnlosigkeit und den Sinn? Einfach: Indie Rock.

Es gibt drei Arten von Musik, die das Rad nicht komplett neu erfindet: die total egale (die klare Mehrheit), die gestrige (Nostalgie!) und die zeitlose (selten). Es ist fürchterlich schwer, die letzten beiden auseinanderzuhalten. Vor allem wenn einen Musik berührt. Bin ich jetzt hoffnungslos subjektiv (und/oder nostalgisch), weil Palila aus Hamburg auf ihrem Debütalbum einfach ihr Herz rausreißen und genauso hochhalten, dass es aussieht wie meines? Mit Gitarre, Bass, Schlagzeug und Gesang (Indie halt)? Nein.

Mit all meiner Erfahrung (scheiße, ich bin alt) wage ich zu behaupten: Das hier ist nicht gestrig. Und egal sowieso nicht. Das hier ist JETZT. Das hier ist auch kein Retro-Indie-Sound. Es ist das Ergebnis von drei Typen (Matthias Schwettmann - Vocals/Gitarre, Christoph Kirchner - Bass/Backgrund Vocals, Sascha Krüger - Drums), die schon sooooo viel Musik gemacht, gehört und gelebt haben, dass sie jetzt an einer Stelle aus diesem unendlichen Wirrwarr der Möglichkeiten herausgeklettert sind, an der sie es schaffen, ihr Herz ohne Umwege zu vertonen. Und diese Lösung ist so natürlich, dass sie sich wahrscheinlich fragen, warum sie nicht schon viel früher darauf gekommen sind. Aber so ist das: Es braucht Umwege, Suche, viele Irrlichter, um das Richtige zu finden.

Bei so zeitloser, ehrlicher, rührender Musik helfen übrigens auch keine hippen Producer, keine Trends, keine Attitüden. Ja, nicht einmal besondere Anstrengungen, endlich alles richtig zu machen. Loslassen ist die Lösung. Das ist schwer. Denn trotzdem muss man so gut sein und so viel erlebt haben, dass man der Musik in jedem Moment alles geben kann, was sie braucht. Um fließen zu können. Deshalb stelle ich diese Platte in eine Reihe mit Sachen wie „Let Go“ von Nada Surf, „Water & Solutions“ von Far, „Interiors“ von Brad oder „Shihad“ von Shihad. Und wenn ein ganz alter Sack mich noch fragen würde: „Beatles oder Stones?“ – „Beatles. Es geht um Songs, nicht um Attitüde.“

Wohlgemerkt: Bei diesen Vergleichen geht es nicht zwingend um Soundverwandtschaft. Es geht um eine Einstellung. Und die heißt Ehrlichkeit. Der Rest ist egal. Scheiß auf alles andere, es gibt nur einen Weg: Direkt von uns zu euch. Was dabei herauskommt, sehen wir am Ende. Mal eine Sound-Wand wie bei den frühen Smashing Pumpkins, mal spazierende Gitarrensoli wie bei Dinosaur Jr., mal die melodiös unerwartbare Gelassenheit von Built to Spill. Mal ein knarzendes Gitarrenbrett wie bei den Pixies, mal winzige, rührende Balladen, mal Ohrwürmer, und immer: Songs. Tolle Songs.

12 Songs sind drauf auf „Rock’n’Roll Sadness“. Und alle klingen sie so leicht, als könnten Palila bei den „Gilmore Girls“ vor Luke‘s Café auf dem Bürgersteig spielen, während Rory sich drinnen mit ihrer Mutter trifft. Alle sind sie so tief, dass man Wochen mit ihnen zubringen kann. Und allesamt sind sie so schlau, dass die gesamte Mucker-Polizei wissend nicken wird, wenn Palila bei einem Newcomer-Festival in einem räudigen Rauch-Sauf-Club als fast einziger Act genau das machen, worum es doch eigentlich geht: Musik.

Und so kommt es, dass für die angenehm knappe Dauer dieser Platte (die auf eine Vinyl-Scheibe passt!) die Lösung von allem und wirklich allem auf dieser ganzen weiten Welt lautet: Gitarren-Popsongs. Schlicht. Schön. Zeitlos. Es kann gar nichts Besseres geben. Deshalb ist „Rock’n’Roll Sadness“ eines der besten deutschen Indie-Alben des Jahres. Ja, das ist hoch gegriffen und das Jahr noch nicht vorbei. Aber auch das ist egal. Es geht nicht um Platzierungen, es geht um Haltung, Liebe und bei sich sein. Solche Sachen kann man nicht vergleichen. Man kann sich nur vor ihnen verneigen. Hiermit tue ich das.

- Jochen Schliemann (WDR)

credits

released November 12, 2021

Musik: Matthias Schwettmann
Text: Matthias Schwettmann & Christoph Kirchner

Matthias Schwettmann – Gesang, Gitarre
Christoph Kirchner – Bass, Gesang
Sascha Krüger – Schlagzeug, Gesang

Aufgenommen im Sommer 2021 in K-Klangstudio,
Hamburg

Produktion: Palila, Ritchy Fondermann & Ron Henseler
Mix & Mastering: Ritchy Fondermann & Ron Henseler
Foto (Cover): Peter Schepsmeier
Artwork: Karl Geweke

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Palila Hamburg, Germany

Classic indie rock.

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